Following the online US screening of a China-Australian trans-cultural auto-ethnographic film by The Auto-ethnographer magazine is the filmmaker’s full account of the auto-ethnographic methodology’s application to a legacy of experimental and avant-garde film. From the premise that auto-ethnographic film comprises an authentic post-modern genre, the case-based analysis examines the four primary stages that methodologically distinguish auto-ethnographic film’s distinction from parent disciplines ethnography and anthropology.

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